Freakbeat
Знаю, что это бельгийская группа 60-х годов, предпочитавшая играть фрик-бит, а вот как она называется... Надеюсь на вашу подсказку, друзья. Разумеется, нет и обложки миньона... Поэтому размещаю картинку, попавшую под руку... Мне этот файл принесли на флешке, где он назван "Belgian Group".
Miracle
Freakbeat is the name used for rare, collectable, and obscure British
Invasion records, particularly from 1966 and 1967.[1] Elements of the
freakbeat sound include strong direct drum beats, loud and frenzied
guitar riffs, and extreme effects such as fuzztone, flanging, distortion
and compression or phasing on the vocal or drum tracks. Often used to
describe the European counterpart to the psychedelic garage rock of
American groups like The Seeds, The Thirteenth Floor Elevators, and The
Standells, freakbeat is most often applied to music originating in the
UK, although many artists on the European continent also contributed to
the freakbeat style. Some of the best-known examples of the freakbeat
genre include the British hits "Take a Heart" by The Sorrows, "Making
Time" by The Creation, "Atmospheres" by Wimple Winch, and "I Can Hear
the Grass Grow" by The Move. Much of the material collected on Rhino
Records's 2001 box-set compilation Nuggets II: Original Artyfacts from
the British Empire and Beyond, 1964-1969 can be classified as freakbeat.
The term "freakbeat" was invented (after the fact) in the 1980s by the
music journalist Phil Smee, to retroactively describe a music style that
has been described as a missing link between the early-to-mid-1960s mod
R&B scene and the psychedelic rock and progressive rock genres that
emerged in the late-1960s with bands such as Pink Floyd. Freakbeat
music was typically created by four-piece bands experimenting with
studio production techniques. (Wikipedia)
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